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Ten years have passed since RRM Design Group of San Luis Obispo, Calif. implemented an ?EUR??,,????'??Old West?EUR??,,????'?? redesign for historic Calabasas in Southern California?EUR??,,????'???s San Fernando Valley. The design team paused recently to review the plan and revisit the site plantings, which have filled in nicely.
Landscape architects hope that the projects they design will improve as the years progress. Unlike buildings, which have the potential to look their best at their grand opening, most landscapes are planted with a vision of what they?EUR??,,????'???ll look like and how they?EUR??,,????'???ll function many years down the line.
We see in our mind and in our drawings the project in its ideal and theoretical glory. As any designer will tell you, it is a rapid descent to reality when the implementation does not meet the ideal. This plight keeps many a landscape architect awake at night ?EUR??,,????'??? and possibly away from their projects as the years pass.
The hardscape can, of course, provide the instant satisfaction and validation of our conceptual design. It is just as likely that the living parts of the design?EUR??,,????'??+the trees, shrubs, and ground covers?EUR??,,????'??+often hold only a hint of the potential landscape that the design will ultimately achieve. So, we learn to be patient and have faith that our vision will be implemented and maintained at a level deserving of the investment made by everyone involved.
One truth of the Southern California landscape is the difficulty telling where one town ends and the next begins. Calabasas, like many cities bordering Los Angeles, is not dramatically distinct from other communities in the vast San Fernando Valley. Located on the north-west edge of Los Angeles, adjacent to the chaparral-covered hillsides of the Santa Monica Mountains, the city has a distinct urban history that traces back to 1542, when the Spanish began mapping the California-Oregon coast.
With such early roots, Calabasas has played a crucial role in California?EUR??,,????'???s history. The city itself was one of the original 200 or more Native American villages established in the San Fernando Valley, and Calabasas Road was originally part of the El Camino Real highway, acting as a vital link between Spanish settlements and missions throughout the state. Prior to the arrival of the intrastate railroad, Calabasas was also a stop on the coastal stage line.
And up until the early 1900s, Calabasas was considered one of the toughest spots in California; frontier justice ruled this spacious valley, as demonstrated by Old Town?EUR??,,????'???s once-prominent ?EUR??,,????'??hanging tree.?EUR??,,????'??
By 1991, however, what physically remained of the rich history of Calabasas was only a small downtown core that was struggling to distinguish itself from the heavily-traveled 101 Freeway. At the center of Old Town, however, a true jewel remained: the Leonis Adobe property, dating back to 1844.
Old Town became the focus of a planning effort in 1991, resulting in an amendment to the Los Angeles County zoning ordinance that created the ?EUR??,,????'??Old Town Calabasas?EUR??,,????'?? overlay zone. The preserved remnant of the Old West became the emphasis of the theme for the design work. The rebirth was the responsibility and brainchild of the Old Town Coalition, a group of 22 citizens committed to making Old Town the center of the community.
This 22-member steering committee, representing neighborhoods, merchants, property owners, and the Leonis Adobe Association, quickly agreed that the character of Old Town should reflect the area?EUR??,,????'???s ?EUR??,,????'??Old West?EUR??,,????'?? past. But defining just how to do that and what the streetscape would look like was less easy.
Suggestions ranged from removing all paving from Calabasas Road?EUR??,,????'??+the part of the old El Camino Real highway?EUR??,,????'??+to incorporating boardwalks and hitching posts. Given the volume of traffic, the idea of reverting back to a dirt street was not very popular. The boardwalks and hitching posts got a bit more traction.
Working with RRM Design Group in a series of public workshops and many, many committee meetings, the Steering Committee arrived at a consensus master plan for building guidelines, parking master plan, and streetscape design.
Once the master plan was adopted in 1994, RRM?EUR??,,????'???s landscape architects set to work developing the streetscape design. First off, the design team had to address the big question: How do you create a pedestrian-friendly atmosphere and reflect the Western past in an area dominated by cars? And with pedestrian space nearly non-existent in the public right-of-way, designers had to derive a creative solution, one that also met current public works standards.
The solution: wide boardwalks that narrow the feeling of the street, mid-block crosswalks with cobble pavers and planted islands that increase the intimacy of the street and help slow traffic, street trees, hitching posts that double as bike racks, wooden planters, and replica gas lamps that provide softened light and historic atmosphere lacking in the existing street scene.
But as we began the preparation of construction documents, we were concerned about the project looking like an Old West caricature rather than a town with true historical character.
So we determined that the details had to be extremely well executed in order to blend the modern requirements with the Old West theme (from the 1870 to 90 era). The boardwalk had to evoke the look, feel and sound of the Old West, while providing an accessible, durable and easily-maintained surface. The gas-lamp lights had to be a quality representation of the original fixtures. And dozens of water meters, vaults, and other utilities had to be made accessible without cluttering up the look of the new boardwalk.
To ensure that these details were in character yet functional, the project team selected Trex, a composite, recycled material for the boardwalk, to reduce the maintenance required for wood; the Trex product was placed on top of a recessed sidewalk, which is sloped to drain through the curb. Each of the many utility vaults is flush with the concrete subgrade and accessible via a boardwalk hatch; each hatch is labeled with the name of the utility. Finally, one of the original gas lamps was provided to the selected manufacturer, assuring that the proportions and aesthetic qualities were incorporated into the new street lights.
The project was completed in 1996 and as expected, felt a little naked with small trees and a somewhat reflective boardwalk. At first, motorists complained about the rumble of their car tires cruising over the 200-year-old cobble adjacent to the mid-block pedestrian crossings. Other people complained about the boardwalks replacing the ample road-side parking.
But as the reclaimed water fed the landscape, trees grew, materials weathered, and the blending of urban improvements and Old West character has become a familiar and comfortable companion to the locally-owned restaurants, shops, and the historical Leonis Adobe.
The revitalization of Old Town Calabasas continues to grow more lush and vibrant every day, even after the passage of 10 years. The innovative boardwalk system, mid-block crossings, custom streetlights, utility infrastructure renovation, reclaimed water system, custom site furniture, holiday lighting system for street trees, hidden utility vaults, and integrated bike parking posts are now all surrounded and enriched by blooming flowers, weathered ?EUR??,,????'??whiskey?EUR??,,????'?? barrels, and stretching tree limbs.
And daily shoppers, farmer?EUR??,,????'???s markets, and seasonal community festivals now bring the sounds of life and joy back to this recreated Old West downtown.
Francisco Uviña, University of New Mexico
Hardscape Oasis in Litchfield Park
Ash Nochian, Ph.D. Landscape Architect
November 12th, 2025
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