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Lake Eola Fountain Renovation, Orlando
An Orlando, Fla. civic committee headed by Linton Allen, board chairman of the 1st National Bank, first put forth the idea of a significant fountain for the city. The Orlando Utilities Commission authorized construction of a fountain in Lake Eola in July 1956.
Landscape artist W. C. Pauley of Atlanta designed the fountain. Construction of the fountain involved driving 28 60-ft. long steel cylinders filled with concrete into the 24 ft. deep lake bottom. Horizontal reinforced concrete beams were placed on top of pilings to form the fountain?EUR??,,????'???s superstructure.
This required barging 320 tons of concrete. The fountain was completed in Aug. 1957 at a cost of $162,000. It was 60-ft. in diameter, with towers rising 18 feet above the lake. Three pumps (30 to 60 hp) drove 6,400 gpm of water into the air and over the fountain. The original fountain lighting used three miles of wiring, 64 underwater incandescent floodlights in red, blue and amber, which showed separate solid colors that gradually blended to reveal all the colors of the rainbow.
The fountain was originally called the Centennial Fountain, but in April of 1966 it officially became the Linton E. Allen Memorial Fountain, although people just call it the Lake Eola Fountain. The fountain, with its green flying saucer shape, became the unofficial symbol for the city, its likeness appearing on everything from street signs to city stationary.
While the world around the fountain changed dramatically, the fountain remained relatively unchanged until a 1988 lighting retrofit of ?EUR??,,????'??cutting edge?EUR??,,????'?? Strand dimmers and lighting controls, along with a new set of 1,000-watt quartz light fixtures.
Lightning Strikes Fast-forward 21 years to August 2009. As chance would have it, or perhaps it was inevitable, a lightning strike delivered a direct hit to the fountain?EUR??,,????'???s main pump and electrical controls, rendering it completely inoperable. The Plexiglas skin was cracked, mechanical and electrical systems were breaking down and many of the light fixtures were broken.
?EUR??,,????'??Parts of the fountain were literally held together with duct tape and bailing wire,?EUR??,,????'?? recalls Joel Wolcott, engineering principal of Sanford, Fla.-based Freeport Fountains. Inspired by a public outcry and Orlando Mayor Buddy Dyer?EUR??,,????'???s resolve to revive the city?EUR??,,????'???s beloved centerpiece, the city selected Freeport Fountains (for its 30 years of engineering and constructing complex architectural fountains and water features) to design-build a complete renovation and restoration of the iconic fountain. Freeport Fountains teamed with the city?EUR??,,????'???s development staff to begin the design/construction work. As a 23-acre lake surrounded the fountain, demolition, reconstruction, materials and manpower transport was all via barges and boats.
The city desired energy-efficiently lighting choreographed to water effects and tied into the park-wide audio system. In short, a stunning nighttime lightshow of water and music. Orlando wanted to be wowed. To sync the shore-side animation and DMX (digital multiplex) controllers, and the lighting and control equipment on the fountain, a fiberoptic communication cable was installed along the lake bottom. A strictly adhered to detailed management plan enabled the project to progress nicely and remain on budget despite a tight completion schedule.
Lighting Design Freeport specified more than 200 RGB submersible LED fixtures. The LEDs produce vivid color illumination at a fraction of the former wattage usage, significantly lowering the cost of operation.
The LEDs produce colors directly, with much more light per watt than the old fixtures (which lost much of their light to the colored glass lenses), and with greater color saturation. The LEDs should have 10-20 times greater life than the old incandescent lamps.
One of the most common maintenance tasks previously was replacing burned out lamps in difficult-to-access areas around and among the Plexiglas dome structure. The LEDs offer more control flexibility. With the incandescent system, lights were controlled in large groups. The DMX-controlled LEDs are discretely addressed, enabling each one to display any of 16 million colors. This allows a nearly unlimited capability for programming, sequencing show effects and choreographed presentations.
The incandescent fixtures had to be submerged during operation for cooling. The LEDs operate wet or dry without damage. The low voltage of the LEDs means greater safety, plus eliminates the needy for ground fault circuits.
An energy analysis of the new fountain systems reveals an energy consumption reduction of 62 percent, an annual estimated savings on electricity cost of more than $41,000!
Project Team
Manufacturers/Vendors
Francisco Uviña, University of New Mexico
Hardscape Oasis in Litchfield Park
Ash Nochian, Ph.D. Landscape Architect
November 12th, 2025
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