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Pamela Burton, FASLA, uses the grammar of landscape, with its complicated interaction of plants, structures, water and earth forms to write a poem. She gives us a level of contact that, combined with the structured meter, the natural cadences, the rhyme and the metaphor of a place, coalesces all the senses together. You come to your senses with this internal symphony of emotions, forgotten memories and enhanced awareness.
A poem is meant to convey a vivid and imaginative sense of experience using condensed language chosen for its sound and suggestive power as well as its meaning. Says Burton, ?EUR??,,????'?????<?The idea of landscape architecture as graphic design is compelling, but I approach design from a perceptual, conceptual, and metaphorical point of view. First, you have the idea, then you conceive of what it would be like to be in it, then you build it. As in Eastern philosophies, I view human beings as being closely integrated with nature.?EUR??,,????'?????<?
?EUR??,,????'?????<?After being in Japan and working in the gallery, I studied architecture at UCLA to earn my Master of Architecture degree. More than anything, I became a landscape architect because it was necessary to give credibility to my practice,?EUR??,,????'?????<? says Burton, describing her circuitous, event filled, curiosity-driven road to the profession. ?EUR??,,????'?????<?When I finally put it all together, I said, ?EUR??,,????'?????<?This is it!?EUR??,,????'?????<???EUR??EUR??,,????'?????<?
?EUR??,,????'?????<?There are so many aspects of life that go into a design?EUR??,,????'?????<??oefor example, challenging norms and conventions and not taking things for granted. I am always asking, ?EUR??,,????'?????<?What is the meaning of what I?EUR??,,????'?????<???EUR?m doing??EUR??,,????'?????<???EUR? In addition, making each part of that process a joy is essential?EUR??,,????'?????<??oenot just getting to the end result. Joining all of these activities is the most significant part of the process. It is also relevant that I was exposed to so many cutting edge artists who were doing amazing work and provoking my imagination.?EUR??,,????'?????<?
?EUR??,,????'?????<?After receiving my Master of Architecture degree, I left school in the midst of a recession and there were no jobs. I found a studio to live in. Since all of my friends were artists and architects, they asked me to figure out the landscapes for their designs. I learned by doing. However, I realized I needed the landscape architecture license.?EUR??,,????'?????<?
She adds, ?EUR??,,????'?????<?There was also a point when I realized that I needed to learn much more, so I started teaching. I taught ?EUR??,,????'?????<?The Landscape of Art?EUR??,,????'?????<???EUR? and that was a way to learn everything about landscape architecture and architecture. I was hired to teach a 15-week course at Art Center College of Design as well as at USC. I found that every time you teach, it?EUR??,,????'?????<???EUR?s a way of showing yourself how to learn. That, in and of itself, is an extraordinary journey.?EUR??,,????'?????<?
?EUR??,,????'?????<?My overarching philosophy is to stay present with what is at hand and yet remain interested. Landscapes are a journey. It?EUR??,,????'?????<???EUR?s not just about the destination, but also about the journey of designing and walking through them. Those journeys are always changing. It?EUR??,,????'?????<???EUR?s very much about how we move through space and how our perceptions of that space are always changing.?EUR??,,????'?????<?
?EUR??,,????'?????<?One of the most important things about any practice is cultivating awareness, something artists specialize in. Whenever we have an idea, it?EUR??,,????'?????<???EUR?s always amplified by the mysterious things that are about to happen. You can only take advantage of them if you are aware of them.?EUR??,,????'?????<?
?EUR??,,????'?????<?As landscape architects we?EUR??,,????'?????<???EUR?ve always thought about conserving our natural resources,?EUR??,,????'?????<? Burton maintains. ?EUR??,,????'?????<?We were among the first groups to be looking at sustainability as a cultural practice. LEED ratings now gives us a formal checklist. We?EUR??,,????'?????<???EUR?re working on two Platinum LEED residential projects. The Santa Monica library was one of the early projects to be LEED rated.?EUR??,,????'?????<?
?EUR??,,????'?????<?Look at the work of Erik Gunnar Asplund. He was the architect of the Woodland Cemetery in Stockholm, Sweden. Not only is that one of the most moving and remarkable cemeteries in the world, the work calls on you to become aware of your feelings. It is those feelings that facilitate contact between our inner and outer landscapes, our vision and our imagination, and created landscapes that become deeply embedded in us.?EUR??,,????'?????<?
?EUR??,,????'?????<?Both of my parents were very influential in my life, especially my mother with her love of plant materials and her artistic sensibility,?EUR??,,????'?????<? says Burton. ?EUR??,,????'?????<?My husband, with his background in philosophy and the visual arts, has been very important for helping me articulate my ideas. Professionally, I?EUR??,,????'?????<???EUR?ve been strongly influenced by Yoshio Taniguchi, best known for his redesign of the Museum of Modern Art in New York, Charles Gwathmey, one of The New York Five in 1969, and Eugene Kupper, my former professor at UCLA. The truth is,?EUR??,,????'?????<? Burton emphasizes, ?EUR??,,????'?????<?I?EUR??,,????'?????<???EUR?ve learned a lot from everyone I?EUR??,,????'?????<???EUR?ve ever worked with.?EUR??,,????'?????<?
?EUR??,,????'?????<?Although I have never been employed by anyone but myself, over the years each person I have worked with has added something important,?EUR??,,????'?????<? she continues. ?EUR??,,????'?????<?Again, it?EUR??,,????'?????<???EUR?s not the destination, but the journey. There are also the important influences of the places I have lived and visited. I was born in Santa Monica, later spent one year in New York, traveled to Amsterdam and Paris, to Brazil, Guatemala and Chile, Tokyo and Kyoto, Taipei, and the Ukraine.?EUR??,,????'?????<?
?EUR??,,????'?????<?The influence of living in Malibu, on the edge of a continent, and going through the experience of a fire storm, was profound. Currently, I live in Ojai in a house in the middle of an orange grove on a five-acre parcel surrounded by 200-acre parcels of citrus and avocado groves. It is fascinating watching two different ecosystems at work. On the one hand, we are part of the full thrust of the coastal plane, and on the other we are in the middle of the foothills of the Los Padres Mountains and, farther away, the Sespe Wilderness.?EUR??,,????'?????<?
?EUR??,,????'?????<?Space can be created by a line of enclosure or by a line of direction,?EUR??,,????'?????<? Burton observes. But she also understands how, just as in poetry or music, a created space can be manipulated to produce emotions. By fusing architecture with the way it informs landscape, and adding the musical vocabulary of horticulture and the magic of art, rather than creating a simulation of nature you can write poetry. Says Pamela Burton, ?EUR??,,????'?????<?In order ?EUR??,,????'?????<?to come to your senses?EUR??,,????'?????<???EUR? in a space, one must engage all of one?EUR??,,????'?????<???EUR?s senses.?EUR??,,????'?????<?
The Allegretto Vivace of exquisite, sustainable, low-water-use plantings enhance the Santa Monica Public Library while educating the people who visit them.
Francisco Uviña, University of New Mexico
Hardscape Oasis in Litchfield Park
Ash Nochian, Ph.D. Landscape Architect
November 12th, 2025
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