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?EUR??,,????'??It would be a mistake to sidetrack the project. This is truly the most special, most important street in the community.?EUR??,,????'???EUR??,,????'??+Madison City Councilman Mike Verveer
Madison, Wisconsin?EUR??,,????'???s State Street is a recreational and social venue for one of the biggest universities in the country. The street is also the vibrant center of Wisconsin?EUR??,,????'???s capitol, and has recently won praise for an invigorating redesign.
State Street?EUR??,,????'???s redesign is actually a complete reconstruction of the street and surrounding side streets. After a process that generated significant public input and debate, construction got underway in spring of 2004. Most of the work is now finished, but smaller, additional phases will stretch construction through 2007 and possibly longer.
?EUR??,,????'??The timing depends on a complicated package of funding,?EUR??,,????'?? project landscape architect Ken Saiki explained. ?EUR??,,????'??Getting the money to balance out is the reason it wasn?EUR??,,????'???t all built at once.?EUR??,,????'??
The old street design dates from the early 1980s and set the stage for the rebirth of State Street as the primary retail shopping street in Madison, Wis. The street corridor links the state capitol grounds with the sprawling University of Wisconsin, home to 45,000 students, faculty and staff. While serviceable, the 1980s design created a restricted roadway, limiting most of the area to buses and bicycles. The design team knew that pedestrians needed more space.
Over the years the makeup of retail and entertainment on the street has changed. Local businesses and national chains and franchises call this street home, and activity occurs throughout the day and into the early morning hours. State Street is the primary public street, site for festivals and special events (including demonstrations and protests) and it reflects the diversity and vibrancy of the community.
Four priorities dominated the reconstruction effort. Maintaining flexibility in the design was critical. Buildings here change uses regularly. Sidewalk cafes are now very popular and a move toward food and entertainment is a trend. The original design incorporated large fixed objects, masonry planters, seating areas and bus shelters that all took up large areas and were immovable. The new design replaces these ponderous blocks with surface-mounted benches, bike racks, trash and recycling containers, large pre-cast concrete planters and a new bus shelter design that can be relocated if the adjacent building needs space along the sidewalk for a caf????(C) or retail merchandising. Some streetscape components can also be temporarily removed during winter months to facilitate snow storage and removal, or for special events.
In early 2004, the shelters?EUR??,,????'??? cost raised a few eyebrows, but the key role the amenities play convinced city council members to fund seven of the new structures.
?EUR??,,????'??It would be a mistake to sidetrack the project,” councilman Mike Verveer said at the time. “This is truly the most special, most important street in the community.”
Street trees planted 25 years ago have been pruned, lovingly cared for and cultivated over the years. The street trees are not shining examples of their individual species, but they provide shade, color, and define vertically and horizontally a pedestrian ?EUR??,,????'??room.?EUR??,,????'?? Here circulation, merchandising and most recently, a plethora of sidewalk cafes, have created Madison?EUR??,,????'???s ultimate pedestrian street.
The redesign emphasized the preservation of as many existing trees as possible. This was challenging given the complete reconstruction of all pavements and underground utilities. Where trees were missing or had to be removed, new street trees were introduced to maintain and infill to the existing 16-foot spacing between trees.
?EUR??,,????'??The Philosophers?EUR??,,????'??? Grove, so named because of the proximity to the state capitol and a series of museums, replaces an empty, underutilized space.?EUR??,,????'???EUR??,,????'??+Ken Saiki
A new pavement system was introduced to improve the growing conditions for new and existing trees. A structural cast in-place concrete slab spanned a non-compacted continuous soil trench that is approximately eight-feet wide and links all of the tree root zones to optimize the growing area for the street trees. Tree grates protect the area immediately around the tree from traffic and allow air and water to reach tree roots.
State Street is the center of nightlife in the city. The 1980s design used a multi-source lighting system that created a night environment that supported restaurants and retailing, and was non-intrusive to upper-floor residential uses. It also created a remarkable frame for Madison?EUR??,,????'???s community icon, the state capitol building that is at the end of the street.
The original design utilized many light sources to create this ambiance. Roadway lighting was provided by high-pressure sodium, full-cut-off luminaries placed at a 20 to 25-foot mounting height. This hardware created an amber glow that contrasted with the bright white beacon of the capitol dome.
The taller lights also illuminated the tree canopy, defining a ?EUR??,,????'??ceiling?EUR??,,????'?? for the space and creating a dappled shade pattern on the ground plane. Secondary lighting was provided with 12-foot-high posts with an array of small diameter globes housing incandescent lamps. These fixtures provided a warm white light, accenting and defining the pedestrian space. Periodically, the globe light fixtures were supplemented with full-cut-off metal halide fixtures at a relatively low mounting height. While these fixtures added needed light, the relatively high wattage and low mounting height oftentimes intruded into storefronts making interior mood lighting difficult to maintain.
?EUR??,,????'??State Street is the primary public street, site for festivals and special events (including demonstrations and protests) and it reflects the diversity and vibrancy of the community.?EUR??,,????'???EUR??,,????'??+Ken Saiki
The design solution sought to recreate the appearance and functionality of the original design while reducing the maintenance and operational cost of the system. The new lighting system maintained the high-pressure sodium light source for primary illumination of the street and sidewalk. A new custom pedestrian light unit was also introduced. It incorporated a relatively low-voltage metal-halide light source at a 14-foot mounting height. This provided a line of lights defining the pedestrian space.
The custom unit also incorporated a banner bracket arc that holds a string of LED lights, replicating the effect of the globe incandescent lights at a fraction of the operation and maintenance cost. The lighting system maintains the color contrast with the Capitol dome, provides a safe and beautiful night environment and introduces a new aspect of detail and visual activity.
A new wayfinding and street graphics system?EUR??,,????'??+and a new design ?EUR??,,????'??brand?EUR??,,????'???EUR??,,????'??+grew out of the design work. The old system had been modified to provide mountings for typical commercial banner systems and seasonal decorations. At the onset of the design process (in the month of May) Christmas holiday banners were part of the streetscape display.
Clearly a better system of street graphics was needed to support and enhance retail activities throughout the year. The design team explored options for a new State Street brand that could be placed throughout the streetscape improvements, but also in marketing and promotional materials for the business association and business improvement district.
A ?EUR??,,????'??thumbprint?EUR??,,????'?? developed that captured the essence of State Street. The typeface symbolized and contrasted the institutional references of state government and the university and the vitality and diversity of the street.
The new banner system was developed to serve a dual purpose. The design team provided final art for four-seasons-worth of banners. Each seasonal banner graphic was prepared as part of the project. The banner system placed on the pedestrian lights was low enough to facilitate easy access for city crews.
The banner system also identified the block addresses of State Street. Color and text were used to differentiate between the 100, 200 and subsequent blocks of each street.
The color spectrum for what ultimately became six different blocks adds color and visual activity to the streetscape.
Other components included informational kiosks?EUR??,,????'??+two kiosk designs were implemented. A ?EUR??,,????'??State Street?EUR??,,????'?? kiosk recalled the roof line of the bus shelters and carried the State Street ?EUR??,,????'??thumbprint?EUR??,,????'?? icon. A second design was created for kiosks along the main fa??? 1/4 ade of the Overture Center for the Arts, and followed the forms and colors of the architecture. The informational kiosks also serve as containers for some of the functional components of the street, for traffic signal control and electrical cabinets.
Work continues on the project?EUR??,,????'???s Phase III this summer?EUR??,,????'??+a small portion that fills in the area in front of the expanding Overture Center. Work will push the redesign past State Street?EUR??,,????'???s 300 and 400 blocks next year. Depending on funding, additional construction could stretch the project into 2008.
A look at some secondary considerations for the ongoing, Madison, Wis. project.
Public Art Areas
The team realized that many side-street areas had become underutilized and inhospitable. The 1980s construction resulted in an interruption to two streets, Carroll Street and Mifflin Street. The spaces resulting had become wasted spaces with marginal landscape development. In the interim, the Carroll Street space became home to a public art installation.
The Mifflin Street area was similarly neglected. The walls and planting beds were removed and a closely-spaced grid of street trees in grates created an open court.
The Madison Arts Commission desired a method for integrating public art here, and into subsequent phases of the State Street reconstruction. Jill Sebastian, the design team?EUR??,,????'???s public artist, used this space as the origin point for a public art template that will ultimately extend the length of the street.
The Philosophers?EUR??,,????'??? Grove, so named because of the proximity to the state capitol and a series of museums, replaces an empty, underutilized space.
Accent Paving
State Street is a hard working street. Heavy pedestrian use and extensive use of the corridor by buses create a lot of wear and tear. Budget constraints limited the amount of expensive paving that could be used for the streetscape, yet a desire to feature high quality paving materials was present. Two systems were used. The majority of the sidewalk pavement is exposed aggregate. This is an integrally-mixed colored aggregate in an uncolored concrete base. With the color coming from the aggregates alone, it is possible to have reasonable color match in subsequent phases and in repairs of damaged areas.
Maintenance Operations
Maintenance and operation costs and procedures were critical considerations throughout the design process. Providing for maintenance operations while maintaining the appearance of the streetscape dictated custom fabrications. Hose bibs were located on 100-foot centers all along the street. All elements are spaced to allow for snow removal by vehicles with very limited hand work required. Banner panels are rigid and digitally printed to extend life and facilitate removal and rotation of seasonal graphics. LED light sources replace the incandescent bulbs to drastically reduce maintenance and operational cost.
Raleigh, North Carolina
Francisco Uviña, University of New Mexico
Hardscape Oasis in Litchfield Park
Ash Nochian, Ph.D. Landscape Architect
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